Event · 1963–1965 · Salvador [-12.98, -38.49]

The Bahian circle in Salvador

In the early 1960s a group of young Bahians, Caetano Veloso, his sister Maria Bethânia, Gilberto Gil, Gal Costa, and Tom Zé, found one another in Salvador around the university and its arts scene. Steeped in bossa nova yet restless for something new, they formed the friendships and shared ideas that would become Tropicália a few years later in the Southeast. This Salvador nucleus is the human origin of the movement.

Evidence2

Connections3

  • influenced by → Chega de Saudade (1959 album)

    João Gilberto's 1959 debut reached the young Bahians in Salvador as a kind of scripture, the record they played apart to learn its chords and silences. Their circle formed in part as a response to its example, steeped in bossa nova yet hungry to push past it. The founding album of one movement seeded the human nucleus of the next.

  • migrates to → III Festival de Música Popular Brasileira (TV Record)

    The Bahian artists who formed their circle in Salvador carried their ideas south to São Paulo, where the 1967 TV Record festival gave Tropicália its national stage. The move from the Recôncavo to the television studios of the Southeast is the movement's defining migration. Salvador supplied the people; São Paulo supplied the detonator.

  • influenced by → Maria Bethânia

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