Group · 1963–1981 · Kingston [17.97, -76.79]
Bob Marley & The Wailers
The Wailers came together in Kingston in the early 1960s around Bob Marley, Peter Tosh, and Bunny Wailer, first recording vocal-harmony ska for Coxsone Dodd before reshaping themselves as a full reggae band. The cited Wikidata entry dates the group's inception to 1963, while the MusicBrainz entry tracks the renamed touring band from late 1970. Under the name Bob Marley & The Wailers they signed to Island Records and began the decade's worldwide spread of reggae.
Evidence2
www.wikidata.org/wiki/Q2525354
accessed 2026-06-04
- MusicBrainz: Bob Marley & The WailersMusicBrainz
musicbrainz.org/artist/c296e10c-110a-4103-9e77-47bfebb7fb2e
accessed 2026-06-04
Connections6
collaborates with → Clement "Coxsone" Dodd
Coxsone Dodd recorded the young Wailers at his Studio One, where the vocal trio cut their earliest ska sides, including the hit "Simmer Down." Dodd's mentorship and studio discipline shaped the group's craft before they struck out on their own.
collaborates with → Lee "Scratch" Perry
Around the turn of the 1970s Lee "Scratch" Perry produced the Wailers, helping to forge the tougher, rhythm-forward sound they would carry onto their international albums. The collaboration was a pivotal step in the group's transformation from vocal act to reggae band.
collaborates with → Bob Marley
collaborates with → Peter Tosh
collaborates with → Island Records
Island Records signed Bob Marley & The Wailers and issued Catch a Fire in 1973, packaging reggae as international album-length art for rock audiences. The label's marketing strategy was decisive in turning the band into a global act.
influences → The Clash
London punk did not stay sealed off from the Jamaican music circulating through the city's sound systems and record shops; The Clash absorbed reggae directly into their sound. Wikidata lists reggae and ska among the band's documented genres and names Bob Marley among its influences, marking Kingston reggae as a clear source for the group. The relation is a one-way absorption of Marley's idiom into British punk.